![]() ![]() One UAD-2 OCTO and two UAD-2 QUAD cards yield umatched processing power for the best vintage gear simulations on the planet! (Hearing is believing!) It features a state-of-the-art ASUS motherboard and 12-core Intel i9 chipset, cooled by a monster Noctua cooler, 1TB M.2 OS drive, 2TB Samsung M.2 drive for audio, a 2 TB Samsung SSD for drum libraries, Two 2TB Seagate drives for synth patches and storage, all running on Windows 10 Professional (圆4).Īward-winning DSP (Digital Signal Processing) cards from Universal Audio. This PC is a dedicated DAW (Digital Audio Workstation). (And a few "no-name" snares with a LOT of vibe!)įor additional digital drum triggering, there’s a DrumKAT and pads from Roland, KAT and DrumTech.Ī custom, super quiet PC, originally from ADK Pro Audio, but recently upgraded. Vintage rack modules feature a Kawai K5m, Roland R8 and R8m, EMU ProCussion and Roland MT-32.Ī top-of-the-line Pearl Reference Series acoustic drum set with Zildjian cymbals.Ī top-of-the-line Yamaha DTX950 digital drum set.Ī Pearl Masters Series maple snare drum. Keys include a Roland RD-250s digital piano, a Korg Poly-800, and a 49-key Arturia Analog Laboratory synth/MIDI controller. (With up to five simultaneous & individual headphone mixes.) Headphone amps by Dangerous (D-Box) and Art. ![]() Headphones by AKG, AudioTechnica, BeyerDynamic, Direct Sound, and Sony. "boutiqued" 5W Kustom tube head and BlackStar cabinet loaded with 15W Celestion G12 Blue Alnico for Re-Amping everything from guitars, bass and keys to vocals & snares! Radial Pro passive Re-Amp box, as well as the Millennia TD-1 DI for simulation of either single or dual coil pickups for truly realistic re-amping. Multiple playback monitoring systems include a pair of Neumann KH310A’s, a pair of JBL LSR4328P’s with their LSR4312SP Sub-Woofer and an Avantone Pro MixCube for verifying mono compatibility. Other systems include a Bose Companion 2 Series II and a 2.1 by Klipsch.Ī Millennia TD-1 DI for active tube or FET circuits, as well as passive Radial Pro DI boxes. (With the other professional-grade mic pre's here, we rarely use this, but it's here if extra transparent/clean inputs are required.) One super-clean sounding Mackie VLZ-Pro mixing board, utilizing it's award-winning super-clean pre-amp section for tracking. One Dangerous D-Box D/A (monitor control plus analog summing). With up to 192kHz/24 bit professional quality audio recordings of your music, means that you get the same pro quality you'd get in more expensive studios. Outboard compressors used in tracking include a Crane Song Trakker, a Summit Audio TLA-50 - upgraded with an RCA 5751 Black Plate Tube, a dbx 162SL, an LA2A optical - in the Universal Audio LA-610, a Universal Audio 1176 FET - in a Universal Audio 6176, and an FMR RNC 1773.Ī Lynx Aurora 16 Analog-to-Digital converter mated to a Lynx AES16e digital card for unsurpassed audio quality. ![]() Here's the latest listįor TRUE analog sound - Pro-level microphone preamps include two original 4-channel Focusrite ISA428's (Rupert Neve Design with custom-wound Lundahl transformers), two Grace Designs m101, an AEA TRP (True Ribbon Pre) dual-channel ribbon mic pre-amp, a dual-channel Millennia HV-3, a Millennia TD-1 MicPre/DI, a Universal Audio LA-610 tube Pre/EQ/Opto Compressor, a Universal Audio 6176 tube Pre/EQ/FET Compressor, a Universal Audio Solo-110, and a Universal Audio Solo-610 modified with a high quality, vintage Telefunken tube. An ever-growing microphone collection which includes AKG, Audio Technica, Audix, BeyerDynamic, Chameleon Labs, Earthworks, ElectroVoice, Heil Sound, Neumann, Peluso, Sennheiser, Shure, Studio Projects, and boutique'd (modified) mics by Cascade, Rode and OctavaMod. ![]()
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